{"id":6201,"date":"2026-09-21T00:00:34","date_gmt":"2026-09-20T23:00:34","guid":{"rendered":"https:\/\/hors-sol.net\/revue\/?p=6201"},"modified":"2026-09-26T10:45:54","modified_gmt":"2026-09-26T09:45:54","slug":"clash-sandinista-1980","status":"publish","type":"post","link":"https:\/\/hors-sol.net\/revue\/clash-sandinista-1980\/","title":{"rendered":"1191. Clash, <i>Sandinista!<\/i>, 1980 | BV"},"content":{"rendered":"<p>&nbsp;<br \/>\n<center><img decoding=\"async\" src=\"https:\/\/i.discogs.com\/5O4svRa80duMizcHakdce3IDh1FqQGuEf1bcmRGweaU\/rs:fit\/g:sm\/q:90\/h:595\/w:600\/czM6Ly9kaXNjb2dz\/LWRhdGFiYXNlLWlt\/YWdlcy9SLTEwMDI0\/NS0xMzUzNjg2NzQ2\/LTMwODguanBlZw.jpeg\" width=500 \/><\/center><br \/>\n&nbsp;<\/p>\n<p>Si je suradore <em>Guns of brixton<\/em>, je ne suis pas un grand <em>connoisseur<\/em> de Clash. <em>London calling<\/em> (1979, #390) a toujours \u00e9t\u00e9 un myst\u00e8re heureux dans mon horizon, mais \u00e7a s&rsquo;arr\u00eatait l\u00e0. Je n&rsquo;ai jamais bien compris les liens qui unissent punk urbain et reggae des \u00eeles (j&rsquo;ai bien compris le lien, si, mais disons qu&rsquo;il ne me touche pas plus que cela &#8212; surtout vu apr\u00e8s-coup), sauf \u00e0 une musique beaucoup plus lisse mais r\u00e9ussie comme celle de&#8230; Police.<\/p>\n<p>J&rsquo;aborde donc ce disque que je d\u00e9couvre v\u00e9ritablement pour l&rsquo;occasion de la Souche. Il faut dire qu&rsquo;apr\u00e8s le choc de <em>London calling<\/em>, le d\u00e9ferlement du&#8230; <em>triple-album<\/em>&#8230; <em>Sandinista!<\/em> est perturbant. Beaucoup trop long et beaucoup trop vari\u00e9. Ajoutant au punk-ska du dub, des ch\u0153urs d&rsquo;enfants et m\u00eame du simili-rap, l&rsquo;album propose quelques titres phares de la discographie du groupe, mais aussi nombre de pistes inutiles ou banales ; un petit chef d&rsquo;\u0153uvre (<em>Lose this skin<\/em>), et de bons morceaux plus ou moins connus (<em>Ivan meets GI Joe, Rebel Waltz, One more time, Corner soul, Broadway, Version city, Silicon on sapphire, Sheperds delight<\/em>), des titres moyens (<em>Strikes, Up in heaven, If music could talk, Police on my back, The equalizer, The Call up, Washington bullets, Charlie don&rsquo;t surf, Mensforth&rsquo;s Hill, Junkie slip, Street parade<\/em>) ou inutiles (<em>The leader, Look here, The crooked beat, One more dub, Let&rsquo;s go crazy, Midnight log, Kingston Avenue, Living in fame, Version padner<\/em>), et des choses m\u00e9diocres ou embarrassantes (<em>Something about England, Somebody get murdered, Sound of sinners<\/em>) voire carr\u00e9ment ignobles (<em>Hitsville UK, Career opportunities<\/em>).<\/p>\n<p>Clash a voulu donner beaucoup suite au succ\u00e8s de <em>London<\/em>, et donne trop, s&rsquo;\u00e9parpille plus qu&rsquo;il ne se cherche.<\/p>\n<p>&nbsp;<br \/>\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/uvemM69hruI?si=e4xbn7xwMQwcu829\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><br \/>\n&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; &nbsp; Si je suradore Guns of brixton, je ne suis pas un grand connoisseur de Clash. London calling (1979, #390) a toujours \u00e9t\u00e9 un myst\u00e8re heureux dans mon horizon, mais \u00e7a s&rsquo;arr\u00eatait l\u00e0. Je n&rsquo;ai jamais bien compris les liens qui unissent punk urbain et reggae des \u00eeles (j&rsquo;ai bien compris le lien, si, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[131,604],"tags":[],"class_list":["post-6201","post","type-post","status-publish","format-standard","hentry","category-chroniques","category-disque-sur-disque"],"_links":{"self":[{"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/posts\/6201","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/comments?post=6201"}],"version-history":[{"count":5,"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/posts\/6201\/revisions"}],"predecessor-version":[{"id":6259,"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/posts\/6201\/revisions\/6259"}],"wp:attachment":[{"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/media?parent=6201"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/categories?post=6201"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/tags?post=6201"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}