{"id":5844,"date":"2025-07-14T00:00:50","date_gmt":"2025-07-13T23:00:50","guid":{"rendered":"https:\/\/hors-sol.net\/revue\/?p=5844"},"modified":"2025-09-26T12:49:52","modified_gmt":"2025-09-26T11:49:52","slug":"robert-wyatt-ruth-is-stranger-than-richard-1975","status":"publish","type":"post","link":"https:\/\/hors-sol.net\/revue\/robert-wyatt-ruth-is-stranger-than-richard-1975\/","title":{"rendered":"637. Robert Wyatt, <i>Ruth is stranger than Richard<\/i>, 1975 | BV"},"content":{"rendered":"<p>&nbsp;<br \/>\n<center><img decoding=\"async\" src=\"https:\/\/i.discogs.com\/gPR0De2waUdpfqaQqr04lWwms8K82jGi2alzvyplRPo\/rs:fit\/g:sm\/q:90\/h:600\/w:600\/czM6Ly9kaXNjb2dz\/LWRhdGFiYXNlLWlt\/YWdlcy9SLTE5Mjg4\/MDYtMTQ5MTM2ODQw\/Mi0yNTg5LmpwZWc.jpeg\" width=500 \/><\/center><br \/>\n&nbsp;<\/p>\n<p>Chaque album de Wyatt est une aventure. Celui-ci para\u00eet un an \u00e0 peine apr\u00e8s son fameux <em>Rock bottom<\/em> (#120), qui l&rsquo;a propuls\u00e9 dans un minimalisme un peu excentrique, entre exp\u00e9rimental et jazz, finalement assez coh\u00e9rent, apr\u00e8s la carri\u00e8re de Soft Machine, et peut-\u00eatre encore plus ; produit par Nick Mason, comme son pr\u00e9d\u00e9cesseur, ici Wyatt s&rsquo;inspire et se r\u00e9approprie des morceaux vari\u00e9s, et laisse la place aussi \u00e0 ses amis ou coll\u00e8gues, Phil Manzanera (Roxy Music), Brian Hopper (qui a jou\u00e9 avec Soft Machine), Bill MacCormick (bassiste de l&rsquo;\u00e9pigone de Soft Machine, Matching Mole, ha ha), Mongezi Feza (saxophoniste sud-africain) et le bien connu Fred Frith (ces trois derniers op\u00e9rant d\u00e9j\u00e0 sur <em>Bottom<\/em>), ou influences (Charles Haden, Offenbach).<\/p>\n<p>Bref une collection tr\u00e8s agr\u00e9able de douces m\u00e9lop\u00e9es \u00e0 la fois m\u00e9lancoliques et \u00e9tranges, avec une excellente qualit\u00e9 sonore (en plus de la production). C&rsquo;est toujours surprenant (i.e. singulier et\/ou inou\u00ef litt\u00e9ralement) mais toujours de bon go\u00fbt (coh\u00e9rent, m\u00e9ticuleux).<\/p>\n<p>Aux c\u00f4t\u00e9s des sons \u00e9tranges de <em>Muddy mouse<\/em>, a, b et c, o\u00f9 l&rsquo;auditeur peut profiter \u00e0 plein du fausset de Wyatt, et des pi\u00e8ces plus traditionnelles (peut-\u00eatre moins int\u00e9ressantes), <em>Soup song<\/em> et, dans une moindre mesure, <em>Team spirit<\/em> (chant\u00e9e par un ballon de foot) on trouve de magnifiques pi\u00e8ces musicales, telles <em>5 black notes and 1 white note<\/em>, <em>Solar flares<\/em> (bande originale d&rsquo;un obscur film d&rsquo;Arthur Jones), <em>Sonia<\/em>&#8230; <em>Song for Che<\/em>, de Haden, o\u00f9 piano et cuivres s&#8217;embrassent joliment, est tout simplement magnifique.<\/p>\n<p>Richard est la face avec les <em>Mice<\/em>, Ruth est l&rsquo;autre. \u00c0 partir de la version de 1998 (CD), les faces sont invers\u00e9es, on ne sait pas pourquoi.<\/p>\n<p>&nbsp;<br \/>\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Q_ouozEomFU?si=643OhPFF1JUKk0qd\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><br \/>\n&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; &nbsp; Chaque album de Wyatt est une aventure. Celui-ci para\u00eet un an \u00e0 peine apr\u00e8s son fameux Rock bottom (#120), qui l&rsquo;a propuls\u00e9 dans un minimalisme un peu excentrique, entre exp\u00e9rimental et jazz, finalement assez coh\u00e9rent, apr\u00e8s la carri\u00e8re de Soft Machine, et peut-\u00eatre encore plus ; produit par Nick Mason, comme son pr\u00e9d\u00e9cesseur, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[131,604],"tags":[791,793,788,792,789,787,790,794,785,639,795,640,786],"class_list":["post-5844","post","type-post","status-publish","format-standard","hentry","category-chroniques","category-disque-sur-disque","tag-bill-maccormick","tag-brian-hopper","tag-charles-haden","tag-fred-frith","tag-jacques-offenbach","tag-matching-mole","tag-mongezi-feza","tag-nick-mason","tag-phil-manzarena","tag-robert-wyatt","tag-rock-bottom","tag-roxy-music","tag-soft-machine"],"_links":{"self":[{"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/posts\/5844","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/comments?post=5844"}],"version-history":[{"count":4,"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/posts\/5844\/revisions"}],"predecessor-version":[{"id":5957,"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/posts\/5844\/revisions\/5957"}],"wp:attachment":[{"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/media?parent=5844"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/categories?post=5844"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/tags?post=5844"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}