{"id":5765,"date":"2025-04-28T00:00:53","date_gmt":"2025-04-27T23:00:53","guid":{"rendered":"https:\/\/hors-sol.net\/revue\/?p=5765"},"modified":"2025-07-09T07:59:07","modified_gmt":"2025-07-09T06:59:07","slug":"dominique-a-la-memoire-neuve-1995","status":"publish","type":"post","link":"https:\/\/hors-sol.net\/revue\/dominique-a-la-memoire-neuve-1995\/","title":{"rendered":"117. Dominique A, <i>La m\u00e9moire neuve<\/i>, 1995| BV"},"content":{"rendered":"<p>&nbsp;<br \/>\n<center><img decoding=\"async\" src=\"https:\/\/i.discogs.com\/XYsvcIcsBIua_LJBbRDsKgT--kQkkBsG-ItbujH4uZA\/rs:fit\/g:sm\/q:90\/h:592\/w:600\/czM6Ly9kaXNjb2dz\/LWRhdGFiYXNlLWlt\/YWdlcy9SLTM2NTI1\/NC0xMjMzOTU0MTU2\/LmpwZWc.jpeg\" width=500 \/><\/center><br \/>\n&nbsp;<\/p>\n<p>Dominique A a repr\u00e9sent\u00e9 pour moi, pendant un temps, parmi les \u00e9critures les plus exigeantes que les belles et insouciantes et nerveuses et d\u00e9prim\u00e9es ann\u00e9es 90 ont pu nous offrir, et c&rsquo;est \u00e0 partir de cet album qu&rsquo;il s&rsquo;affirme au plus grand nombre.<\/p>\n<p>C&rsquo;\u00e9tait l&rsquo;effervescence d&rsquo;une esp\u00e8ce de renouveau de la chanson fran\u00e7aise, port\u00e9 par Dominque An\u00e9, mais aussi T\u00eates Raides, Katerine, Yann Tiersen ou Noir D\u00e9sir, pour citer des gens tr\u00e8s divers (et Louise Attaque, et Miossec, et Thomas Fersen&#8230;) Tous collaboraient plus ou moins ensemble, et tous revendiquaient plus ou moins l&rsquo;h\u00e9ritage de Bashung ou Higelin, mais aussi de Brel ou Brassens, et via plus r\u00e9centes \u00e9tincelles telles Rodolphe Burger ou Hubert-F\u00e9lix Thi\u00e9faine.<\/p>\n<p>Cet album acc\u00e8de m\u00eame aux bandes FM gr\u00e2ce \u00e0 son beau single Le Twenty-Two Bar. Une orchestration d&rsquo;une esth\u00e9tique \u00e9trangement tr\u00e8s cin\u00e9matographique, presque western (Calexico), qui oscille, musicalement, entre les dingos de cette \u00e9poque (Burton, Kustorica, Lynch, et oserais-je, Gaultier, Goude, Jeunet&#8230;). Dominique A reste sobre, et r\u00e9serv\u00e9, tout en \u00e9tant g\u00e9n\u00e9reux sur ces arrangements ; la voix de Fran\u00e7oiz Breut am\u00e8ne un peu de sombre l\u00e9g\u00e8ret\u00e9. Les m\u00e9lodies sont soign\u00e9es. IL n&rsquo;y a pas de recommandations (comme sur d&rsquo;autres albums), dont on se passe, ni de tortures ad libitum. Il y a m\u00eame un humour distanci\u00e9 qui se tient.<em><\/em>. Dans la Souche, c\u2019est le premier de l&rsquo;artiste, devant Remu\u00e9, puis La musique.<\/p>\n<p>&nbsp;<br \/>\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/_xDUMGoXVUU?si=CPwPJun5kY5WGjTQ\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><br \/>\n&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; &nbsp; Dominique A a repr\u00e9sent\u00e9 pour moi, pendant un temps, parmi les \u00e9critures les plus exigeantes que les belles et insouciantes et nerveuses et d\u00e9prim\u00e9es ann\u00e9es 90 ont pu nous offrir, et c&rsquo;est \u00e0 partir de cet album qu&rsquo;il s&rsquo;affirme au plus grand nombre. C&rsquo;\u00e9tait l&rsquo;effervescence d&rsquo;une esp\u00e8ce de renouveau de la chanson fran\u00e7aise, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[131,604],"tags":[690,688,681,682,691,693,655,645,687,686,684,692,683,689,685],"class_list":["post-5765","post","type-post","status-publish","format-standard","hentry","category-chroniques","category-disque-sur-disque","tag-alain-bashung","tag-christophe-miossec","tag-dominique-ane","tag-francoiz-breut","tag-georges-brassens","tag-hubert-felix-thiefaine","tag-jacques-brel","tag-jacques-higelin","tag-louise-attaque","tag-noir-desir","tag-philippe-katerine","tag-rodolphe-burger","tag-tetes-raides","tag-thomas-fersen","tag-yann-tiersen"],"_links":{"self":[{"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/posts\/5765","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/comments?post=5765"}],"version-history":[{"count":4,"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/posts\/5765\/revisions"}],"predecessor-version":[{"id":5865,"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/posts\/5765\/revisions\/5865"}],"wp:attachment":[{"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/media?parent=5765"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/categories?post=5765"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/tags?post=5765"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}