{"id":5745,"date":"2025-03-24T00:00:09","date_gmt":"2025-03-23T23:00:09","guid":{"rendered":"https:\/\/hors-sol.net\/revue\/?p=5745"},"modified":"2025-08-28T10:14:48","modified_gmt":"2025-08-28T09:14:48","slug":"447-jacques-brel-ces-gens-la-1966","status":"publish","type":"post","link":"https:\/\/hors-sol.net\/revue\/447-jacques-brel-ces-gens-la-1966\/","title":{"rendered":"447. Jacques Brel, <i>Ces gens-l\u00e0<\/i>, 1966 \u25a5"},"content":{"rendered":"<p>&nbsp;<br \/>\n<center><img decoding=\"async\" src=\"https:\/\/i.discogs.com\/Z1VcvLG6MFRdbWKqnTZov6mV_BtWyY1IeHp7nPJxjwY\/rs:fit\/g:sm\/q:90\/h:600\/w:590\/czM6Ly9kaXNjb2dz\/LWRhdGFiYXNlLWlt\/YWdlcy9SLTEyMzY2\/MjIxLTE1MzM4MDc1\/NzktNTI2OC5qcGVn.jpeg\" width=500 \/><\/center><br \/>\n&nbsp;<br \/>\nComme c&rsquo;est le cas pour les coll\u00e8gues de son \u00e9poque, la discographie de Brel est particuli\u00e8rement chaotique \u00e0 ses d\u00e9buts, o\u00f9 la formule &lsquo;album&rsquo; n&rsquo;est pas premi\u00e8re. Celui-ci, \u00e0 l&rsquo;origine sans titre, parfois comptabilis\u00e9 dixi\u00e8me (dans l&rsquo;int\u00e9grale), est renomm\u00e9 plus tard <i>Ces gens-l\u00e0<\/i>.<\/p>\n<p>Eh bien Brel est pratiquement au sommet de son art, et toujours plus d\u00e9sesp\u00e9r\u00e9. Magistralement servi par G\u00e9rard Jouannest et Jean Corti, plus les arrangements et la direction de Fran\u00e7ois Rauber, l&rsquo;album est joue plut\u00f4t dans la cat\u00e9gorie \u00ab\u00a0sombre\u00a0\u00bb. \u00c0 se jeter dans la Meuse.<\/p>\n<p>Si l&rsquo;on met de c\u00f4t\u00e9 les \u00ab\u00a0gentillesses\u00a0\u00bb typiques du jeune Brel (<em>Les bergers<\/em>) et son c\u00f4t\u00e9s pacifiste grandiloquent (<em>L&rsquo;\u00e2ge idiot<\/em>), qui sont deux morceaux un peu inf\u00e9rieurs dans la composition, et les sensibleries comme les <em>D\u00e9sesp\u00e9r\u00e9s<\/em> qui rappellent <em>Les paum\u00e9s du petit matin<\/em> et anticipent <em>Orly<\/em>&#8230; et, si on les trouve un peu trop joyeuses, si l&rsquo;on passe sur l&rsquo;excellente et satyrique <em>Grand-M\u00e8re<\/em> (sur le versant humoristique&#8230; meusien), et l\u2019irr\u00e9sistible <em>Tango fun\u00e8bre<\/em>, le reste est proprement parfait, dramatiquement parfait. Qu&rsquo;on en juge : <em>Mathilde<\/em>, <em>Jacky<\/em> (salut Dieulefit), <em>Jef<\/em>&#8230; Enfin, extraordinaire <em>Fernand<\/em>, incroyable <em>Ces gens-l\u00e0<\/em>. A mettre d&rsquo;urgence entre toutes les oreilles.<\/p>\n<p>&nbsp;<br \/>\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/PpfPt6emOp0?si=O2mYev_zFpPVwFiq\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><br \/>\n&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; &nbsp; Comme c&rsquo;est le cas pour les coll\u00e8gues de son \u00e9poque, la discographie de Brel est particuli\u00e8rement chaotique \u00e0 ses d\u00e9buts, o\u00f9 la formule &lsquo;album&rsquo; n&rsquo;est pas premi\u00e8re. Celui-ci, \u00e0 l&rsquo;origine sans titre, parfois comptabilis\u00e9 dixi\u00e8me (dans l&rsquo;int\u00e9grale), est renomm\u00e9 plus tard Ces gens-l\u00e0. Eh bien Brel est pratiquement au sommet de son art, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[131,604],"tags":[659,657,658,655,656],"class_list":["post-5745","post","type-post","status-publish","format-standard","hentry","category-chroniques","category-disque-sur-disque","tag-dieulefit","tag-francois-rauber","tag-gerard-jouannest","tag-jacques-brel","tag-jean-corti"],"_links":{"self":[{"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/posts\/5745","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/comments?post=5745"}],"version-history":[{"count":5,"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/posts\/5745\/revisions"}],"predecessor-version":[{"id":5913,"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/posts\/5745\/revisions\/5913"}],"wp:attachment":[{"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/media?parent=5745"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/categories?post=5745"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/tags?post=5745"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}