{"id":5551,"date":"2024-11-04T00:00:45","date_gmt":"2024-11-03T23:00:45","guid":{"rendered":"https:\/\/hors-sol.net\/revue\/?p=5551"},"modified":"2024-12-31T08:05:48","modified_gmt":"2024-12-31T07:05:48","slug":"roger-waters-ron-geesin-music-from-the-body-1970","status":"publish","type":"post","link":"https:\/\/hors-sol.net\/revue\/roger-waters-ron-geesin-music-from-the-body-1970\/","title":{"rendered":"774. Roger Waters &#038; Ron Geesin, <i>Music from the body<\/i>, 1970 | BV"},"content":{"rendered":"<p>&nbsp;<br \/>\n<center><img decoding=\"async\" src=\"https:\/\/i.discogs.com\/G-uc1lrH-JuRAko0_4h9argQV8RsxnLtsPCUYgI4Ye8\/rs:fit\/g:sm\/q:90\/h:600\/w:596\/czM6Ly9kaXNjb2dz\/LWRhdGFiYXNlLWlt\/YWdlcy9SLTgyMjc2\/NzEtMTU4NzU0NjU0\/NC0zMTA1LmpwZWc.jpeg\" width=500 \/><\/center><br \/>\n&nbsp;<\/p>\n<p>Un album tr\u00e8s \u00e9trange mais original. Une bonne mani\u00e8re d&rsquo;entrer, peut-\u00eatre, dans le travail de Roger Waters ? Ou pas. Bien. L&rsquo;album est enregistr\u00e9 en 1968, et sert de \u00ab\u00a0bande-son\u00a0\u00bb \u00e0 un documentaire sur le corps. Il est cr\u00e9dit\u00e9 Waters mais en v\u00e9rit\u00e9 il est largement \u00e9crit par Ron Geesin&#8230; qui est un fou furieux qui co\u00e9crit, pour Pink Floyd, la pi\u00e8ce <em>Atom heart mother<\/em> cette m\u00eame ann\u00e9e 1970 et en conduit l&rsquo;orchestre.<\/p>\n<p>On a trois formes qui se m\u00e9langent : des pi\u00e8ces orchestrales ou de chambre, pas du tout honteuses, comme <em>Sea shell and soft stone<\/em> (2), quelques pi\u00e8ces folk \u00ab\u00a0\u00e0 la\u00a0\u00bb Waters, comme <em>Sea shell and soft stone<\/em> ou <em>Give birth to a smile<\/em> et tout un tas de montages sonores li\u00e9s au corps, dont \u00e9videmment on pourrait se passer si on \u00e9tait dans un album normal&#8230; Les arch\u00e9ologues semblent trouver dans cet ensemble h\u00e9t\u00e9roclite les versions pr\u00e9paratoires de <em>Breathe<\/em> ou <em>Embryo<\/em> de Pink Floyd. Cet <em>Embryo<\/em> qui revient bien trois fois rassemble bien l&rsquo;id\u00e9e g\u00e9n\u00e9rale de ces morceaux bizarres, plut\u00f4t destin\u00e9s aux fans de Waters que des Floyd (ce dernier morceau voit le groupe au complet &#8212; et un son tr\u00e8s seventies tr\u00e8s pr\u00e9curseur&#8230;).<\/p>\n<p>&nbsp;<br \/>\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/D9iUlyf7uno?si=XwoyQ8188perSXMR\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><br \/>\n&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; &nbsp; Un album tr\u00e8s \u00e9trange mais original. Une bonne mani\u00e8re d&rsquo;entrer, peut-\u00eatre, dans le travail de Roger Waters ? Ou pas. Bien. L&rsquo;album est enregistr\u00e9 en 1968, et sert de \u00ab\u00a0bande-son\u00a0\u00bb \u00e0 un documentaire sur le corps. Il est cr\u00e9dit\u00e9 Waters mais en v\u00e9rit\u00e9 il est largement \u00e9crit par Ron Geesin&#8230; qui est un [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[131,604],"tags":[],"class_list":["post-5551","post","type-post","status-publish","format-standard","hentry","category-chroniques","category-disque-sur-disque"],"_links":{"self":[{"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/posts\/5551","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/comments?post=5551"}],"version-history":[{"count":4,"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/posts\/5551\/revisions"}],"predecessor-version":[{"id":5657,"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/posts\/5551\/revisions\/5657"}],"wp:attachment":[{"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/media?parent=5551"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/categories?post=5551"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/tags?post=5551"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}