{"id":5504,"date":"2024-10-07T00:00:49","date_gmt":"2024-10-06T23:00:49","guid":{"rendered":"https:\/\/hors-sol.net\/revue\/?p=5504"},"modified":"2024-10-10T18:07:35","modified_gmt":"2024-10-10T17:07:35","slug":"au-pairs-sense-sensibilty-1982","status":"publish","type":"post","link":"https:\/\/hors-sol.net\/revue\/au-pairs-sense-sensibilty-1982\/","title":{"rendered":"299. Au Pairs, <i>Sense &#038; sensibilty<\/i>, 1982 | BV"},"content":{"rendered":"<p>&nbsp;<br \/>\n<center><img decoding=\"async\" src=\"https:\/\/i.discogs.com\/xllPQXEgI0vmjNiCmtkjjBYgfq36GYXrXLbcXAdZtQg\/rs:fit\/g:sm\/q:90\/h:597\/w:600\/czM6Ly9kaXNjb2dz\/LWRhdGFiYXNlLWlt\/YWdlcy9SLTM5NzQz\/Mi0xMjI1MzI1OTQz\/LmpwZWc.jpeg\" width=500 \/><\/center><br \/>\n&nbsp;<\/p>\n<p>L&rsquo;un des plus intelligents groupes de post-punk qui soient, port\u00e9s par une vraie ligne m\u00e9ldique et une rythmqiue presque funk (new-wave quoi), et la voix lancinante mais maline de Leslie Woods. L&rsquo;ensemble de ce m\u00e9lange musical et politique produit un premier album fort remarqu\u00e9 , <em>Playing With A Different Sex<\/em> (#152, 1981), dont nous parlerons j&rsquo;esp\u00e8re vite, et ce second disque juste apr\u00e8s, avec un chouia plus d&rsquo;ambition musicale, m\u00ealant les genres, densifiants les textes, d\u00e9veloppant les atmosph\u00e8res sonores.<\/p>\n<p>Sans doute un peu moins frais que son pr\u00e9d\u00e9cesseur, un peu plus accessible, l&rsquo;album n&rsquo;en reste pas moins tr\u00e8s bon, et n&rsquo;a pris presque aucune ride.<\/p>\n<p>&nbsp;<br \/>\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/RXQE_vTG--Y?si=9NIMTwtHh2EkLSaf\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><br \/>\n&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; &nbsp; L&rsquo;un des plus intelligents groupes de post-punk qui soient, port\u00e9s par une vraie ligne m\u00e9ldique et une rythmqiue presque funk (new-wave quoi), et la voix lancinante mais maline de Leslie Woods. L&rsquo;ensemble de ce m\u00e9lange musical et politique produit un premier album fort remarqu\u00e9 , Playing With A Different Sex (#152, 1981), dont [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[131,604],"tags":[],"class_list":["post-5504","post","type-post","status-publish","format-standard","hentry","category-chroniques","category-disque-sur-disque"],"_links":{"self":[{"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/posts\/5504","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/comments?post=5504"}],"version-history":[{"count":4,"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/posts\/5504\/revisions"}],"predecessor-version":[{"id":5537,"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/posts\/5504\/revisions\/5537"}],"wp:attachment":[{"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/media?parent=5504"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/categories?post=5504"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/tags?post=5504"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}