{"id":5400,"date":"2024-05-27T00:00:40","date_gmt":"2024-05-26T23:00:40","guid":{"rendered":"https:\/\/hors-sol.net\/revue\/?p=5400"},"modified":"2025-01-31T08:02:47","modified_gmt":"2025-01-31T07:02:47","slug":"marianne-faithfull-20th-century-blues-1997","status":"publish","type":"post","link":"https:\/\/hors-sol.net\/revue\/marianne-faithfull-20th-century-blues-1997\/","title":{"rendered":"167. Marianne faithfull, <i>20th Century Blues<\/i>, 1997 | BV"},"content":{"rendered":"<p><center><img decoding=\"async\" src=\"https:\/\/i.discogs.com\/PPMIZGIps5TQIAPj7HM7fyrTJ-e50cgTUfe5V-6ovjo\/rs:fit\/g:sm\/q:90\/h:594\/w:600\/czM6Ly9kaXNjb2dz\/LWRhdGFiYXNlLWlt\/YWdlcy9SLTI2MzMz\/OTctMTY2OTIwNTUx\/NS00NzY1LmpwZWc.jpeg\" width=500\" \/><\/center><br \/>\n&nbsp;<br \/>\nVoici un album tranquille et \u00e9l\u00e9gant, un rendu tr\u00e8s pr\u00e9cis de l&rsquo;atmosph\u00e8re de nombreux classiques du cabaret allemand, et dont l&rsquo;interpr\u00e9tation est ici excellente : la voix, si particuli\u00e8re de Faithfull, entre Dylan et Richards, colle parfaitement \u00e0 l&rsquo;ambiance, et l&rsquo;artiste, passionn\u00e9e du genre, avec diverses exp\u00e9riences pr\u00e9c\u00e9dentes sur sc\u00e8ne, propose un r\u00e9pertoire en duo avec le pianiste Paul Trueblood, qui fonctionne \u00e0 merveille.<\/p>\n<p>De nombreux classiques donc, de Brecht et Weil, la part du lion, mais aussi Friedrich Hollaender, Noel Coward et une \u00e9tonnante reprise de Harry Nilsson, dont la plupart sont connus de tous. Une insertion jazz cabaret dans la Souche, par une interpr\u00e8te pop punk, ce n&rsquo;est pas si courant. J&rsquo;ajoute que j&rsquo;avais vu ce spectacle \u00e0 Grenoble un peu avant la sortie du disque, j&rsquo;avais pu serre la main de celle qui est bien plus qu&rsquo;une \u00e9g\u00e9rie, une v\u00e9ritable artiste.<\/p>\n<p>&nbsp;<br \/>\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/P3s0AFfbRrM?si=9H_xaaMi4OwkSLmc\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><br \/>\n&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[131,604],"tags":[],"class_list":["post-5400","post","type-post","status-publish","format-standard","hentry","category-chroniques","category-disque-sur-disque"],"_links":{"self":[{"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/posts\/5400","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/comments?post=5400"}],"version-history":[{"count":4,"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/posts\/5400\/revisions"}],"predecessor-version":[{"id":5409,"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/posts\/5400\/revisions\/5409"}],"wp:attachment":[{"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/media?parent=5400"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/categories?post=5400"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/tags?post=5400"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}