{"id":3972,"date":"2019-10-30T16:07:09","date_gmt":"2019-10-30T15:07:09","guid":{"rendered":"http:\/\/hors-sol.net\/revue\/?p=3972"},"modified":"2023-04-20T11:15:11","modified_gmt":"2023-04-20T10:15:11","slug":"damien-guggenheim-fuites","status":"publish","type":"post","link":"https:\/\/hors-sol.net\/revue\/damien-guggenheim-fuites\/","title":{"rendered":"Damien Guggenheim | Fuites"},"content":{"rendered":"<blockquote>\n<p class=\"p1\"><span class=\"s1\"><a href=\"https:\/\/hors-sol.net\/revue\/wp-content\/uploads\/2019\/10\/autoportrait.jpg\" rel=\"lightbox[3972]\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-3815 size-thumbnail\" src=\"https:\/\/hors-sol.net\/revue\/wp-content\/uploads\/2019\/10\/autoportrait.jpg\" alt=\"Damien Guggenheim\" width=\"150\" height=\"150\" \/><\/a><\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Dipl\u00f4m\u00e9 en Arts visuels \u00e0 l\u2019\u00c9cole Sup\u00e9rieure des Beaux-arts de Gen\u00e8ve en 2004, Damien Guggenheim vit \u00e0 Paris. Son travail tente d&rsquo;explorer la dimension narrative des \u0153uvres \u00e0 partir de la secondarit\u00e9 topologique du regardeur. Sa derni\u00e8re exposition personnelle a eu lieu \u00e0 la galerie Eyris Dadoun, en novembre 2018.<\/span><\/p>\n<\/blockquote>\n<p>&nbsp;<br \/>\n&nbsp;<br \/>\n&nbsp;<br \/>\n&nbsp;<br \/>\n&nbsp;<\/p>\n<h1>\n<b><i>Fuites<\/i><\/b><\/h1>\n<div>Vid\u00e9o, 45\u2019\u2019, couleur, son, 2019\u200b<\/div>\n<div>\u200b<\/div>\n<div>Sans changer de tableau, la cam\u00e9ra passe de la premi\u00e8re \u00e0 la seconde pi\u00e8ce de l&rsquo;appartement repr\u00e9sent\u00e9 dans les deux premiers panneaux de la pr\u00e9delle de Paolo Uccello \u00ab\u00a0<a href=\"https:\/\/fr.wikipedia.org\/wiki\/Le_Miracle_de_l%27hostie_profan%C3%A9e\" target=\"_blank\" rel=\"noopener noreferrer\">Le miracle de l\u2019hostie profan\u00e9e<\/a>\u00a0\u00bb, jouant d\u2019une aberration de la perspective qui s\u2019y trouve log\u00e9e : la deuxi\u00e8me pi\u00e8ce contient la premi\u00e8re qui est plus grande qu\u2019elle. Ce qui se traduit par une disproportion des portes de gauche et de droite entre elles et par rapport aux damiers du sol. Le drame se divise ainsi en deux, selon le c\u00f4t\u00e9 par lequel d\u00e9borde l&rsquo;\u00e9v\u00e9nement, l\u00e0 o\u00f9 la narration se r\u00e9duit \u00e0 un sens qui fuit et \u00e0 un bruit qui court.\u200b<\/div>\n<p>&nbsp;<\/p>\n<div class=\"yj6qo\"><\/div>\n<p><a href=\"https:\/\/youtu.be\/IK2f6z8cP_c\">https:\/\/youtu.be\/IK2f6z8cP_c<\/a><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dipl\u00f4m\u00e9 en Arts visuels \u00e0 l\u2019\u00c9cole Sup\u00e9rieure des Beaux-arts de Gen\u00e8ve en 2004, Damien Guggenheim vit \u00e0 Paris. Son travail tente d&rsquo;explorer la dimension narrative des \u0153uvres \u00e0 partir de la secondarit\u00e9 topologique du regardeur. Sa derni\u00e8re exposition personnelle a eu lieu \u00e0 la galerie Eyris Dadoun, en novembre 2018. &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[602,4,60,61,69,498],"tags":[579],"class_list":["post-3972","post","type-post","status-publish","format-standard","hentry","category-08-poesie-aujourdhui","category-dossiers","category-format","category-genre","category-performance","category-video","tag-damien-guggenheim"],"_links":{"self":[{"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/posts\/3972","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/comments?post=3972"}],"version-history":[{"count":10,"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/posts\/3972\/revisions"}],"predecessor-version":[{"id":3984,"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/posts\/3972\/revisions\/3984"}],"wp:attachment":[{"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/media?parent=3972"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/categories?post=3972"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hors-sol.net\/revue\/wp-json\/wp\/v2\/tags?post=3972"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}